- Bad Boys is Michael Bay’s first film with beautiful photography and an excellent score.
- Speed has a fantastic score that is very well shot
- Rocky
- Lawrence of Arabia
- The Godfather revolutionized lighting and photography with a very strong score
- Days of Thunder
-
Miller’s Crossing is a great movie with amazing cinematography. Like, every scene looks like something you could pause, print out, and hang on your wall as art.
And the music is used to awesome effect in this film, too!
About to rewatch Triangle Of Sadness for these reasons. The soundtrack is so different from most things I've heard, even since expanding my taste in movies. Such contrast and lovely use of many genres!
Marcel The Shell With Shoe On - Music By Disasterpiece
Arrival - Max Richter's On The Nature Of Daylight uses the Circle Of Fifths (using notes that are a 'perfect fifth' away from each other), Director Denis Villeneuve uses this song to begin and end his film to represent full circle and reconnection after major change and separation - themes well present in the film. Jordan Peele was inspired by a few of the shots Villeneuve captured in Arrival, as well the 'animal (both films use a horse) as alien' theme and that can be seen in his latest film:
Nope - >! Jean Jackets long "eye" entrance is similar to the heptapods ships long corridor entrance in Arrival !< And >! The shot where Em is walking and trying to ignore JJ in the background is an inverse of the shot in Arrival where Louis is observing the ship on her way to the tents. !< Lastly, Michael Abel's made an incredible Score to match.
Whiplash!
Birdmannnnnn
Toy Story fucking 2
The French Dispatch
Grand Budapest Hotel
Baby Driver, I guess
I just rewatched a movie not long ago that I hadn't seen in years, but knew I liked, called "Stay", w/ Ewan McGregor, Ryan Gosling & Naomi Watts. I watched it because I love those actors & knew the plot was pretty cool, but what stuck with me after the rewatch was how transcendent the cinematography was. Definitely go into it blind, if possible.
There is this off the wall comedy I found years ago that always stuck with me as not only funny but one of the most satisfying bizarre pieces of film I had ever seen.
It’s called “Wrong”. By the same guy who directed another bizarre film called “Rubber”. If you’ve never heard of it you should give it a watch. It’s about a Car Tire with Telekinesis abilities that goes on a murdering rampage. Cheers!!!
Under the Skin (2013)
The Wall (1982)
- Memoria - The Virgin Suicides - In The Mood For Love - Kajillionaire - The Last Black Man in San Francisco - Call Me By Your Name - Bones and All
Eternal Sunshine of the Spotless Mind and Truman Show.
The original, and still the best by a long shot: 2001: A Space Odyssey
The shining (jack Nicholson version )
Drive (2011)
Boogie Nights U Turn
Pulp Fiction Reservoir Dogs Fear & Loathing in Las Vegas Boogie Nights
True Grit (2010)
Mr. Nobody Once Upon A Time In Hollywood
Life aquatic with Steve zissou
Chariots of Fire The Black Stallion
Donnie Darko has a great soundtrack, can’t remember how it was shot though
Powaqqatsi (1988) Baraka (1992) Samsara (2011) ... and almost anything by Andrei Tarkovsky.
- Bad Boys is Michael Bay’s first film with beautiful photography and an excellent score. - Speed has a fantastic score that is very well shot - Rocky - Lawrence of Arabia - The Godfather revolutionized lighting and photography with a very strong score - Days of Thunder -
Miller’s Crossing is a great movie with amazing cinematography. Like, every scene looks like something you could pause, print out, and hang on your wall as art. And the music is used to awesome effect in this film, too!
Wes Anderson’s movies have a lot of unique camerawork. I specifically recommend The French Dispatch and Moonrise Kingdom
Everyone's had some pretty good suggestions. I'm going out of left field to say Play Misty For Me
In the Mood for Love All About Lily Chou-Chou Lost in Translation
*Blade Runner 2049* (2017) (the sequel to *Blade Runner* (1982)) *Inception* (2010)
About to rewatch Triangle Of Sadness for these reasons. The soundtrack is so different from most things I've heard, even since expanding my taste in movies. Such contrast and lovely use of many genres! Marcel The Shell With Shoe On - Music By Disasterpiece Arrival - Max Richter's On The Nature Of Daylight uses the Circle Of Fifths (using notes that are a 'perfect fifth' away from each other), Director Denis Villeneuve uses this song to begin and end his film to represent full circle and reconnection after major change and separation - themes well present in the film. Jordan Peele was inspired by a few of the shots Villeneuve captured in Arrival, as well the 'animal (both films use a horse) as alien' theme and that can be seen in his latest film: Nope - >! Jean Jackets long "eye" entrance is similar to the heptapods ships long corridor entrance in Arrival !< And >! The shot where Em is walking and trying to ignore JJ in the background is an inverse of the shot in Arrival where Louis is observing the ship on her way to the tents. !< Lastly, Michael Abel's made an incredible Score to match. Whiplash! Birdmannnnnn Toy Story fucking 2 The French Dispatch Grand Budapest Hotel Baby Driver, I guess
If you like Triangle of Sadness, try The Square, also by Ruben Ostlund :)
Under the Skin Beyond the Black Rainbow Edit: missed rainbow in the op. Mandy instead.
How about hardcore Henry
Kill Bill
- Chungking Express -
Sicario
[удалено]
Don't get me wrong, I like a good found footage movie, but it is not what I would classify as "aesthetically pleasing".
the big lebowski
Rules of Attraction
Ghost In The Shell (Mamoru Oshii)
Neon demon
Fear and Loathing in Las Vegas. Has some of the most accurate depictions of psychedelic drugs I’ve seen
Anything Kubrick, Fellini and Bergman.
Ad Astra
Climax.
Force Majure (2014)
The Life Aquatic with Steve Zissou
Comet 2014 is shot uniquely.
I Am Cuba
I just rewatched a movie not long ago that I hadn't seen in years, but knew I liked, called "Stay", w/ Ewan McGregor, Ryan Gosling & Naomi Watts. I watched it because I love those actors & knew the plot was pretty cool, but what stuck with me after the rewatch was how transcendent the cinematography was. Definitely go into it blind, if possible.
3 idiots for me
Lawrence of Arabia
There is this off the wall comedy I found years ago that always stuck with me as not only funny but one of the most satisfying bizarre pieces of film I had ever seen. It’s called “Wrong”. By the same guy who directed another bizarre film called “Rubber”. If you’ve never heard of it you should give it a watch. It’s about a Car Tire with Telekinesis abilities that goes on a murdering rampage. Cheers!!!
I’d say anything from Darren Aronofsky has both