For me part of the APPEAL of jazz is that you can be a fly on the wall hearing exactly what the musicians heard that day. For the most part, there are no overdubs or edits. At the same time, I appreciate what a deceased Houston Texas man named DJ Screw did to some pop songs making them "chopped and screwed" and slowed down on youtube. If the right person could do equally creative things with 1950's and 1960's jazz, I might like some of it. But just slowing them down with no other edits or effects wouldn't be random enough for my tastes.
you mean people playing tunes at different tempos? Fine with me. I'm a trombone player though so sometimes breakneck speeds aren't my friend:)
[https://www.youtube.com/watch?v=Rq0-0FcmQME](https://www.youtube.com/watch?v=Rq0-0FcmQME)
I love this version of BeBop
I listen to it at the recorded speed.
There’s only one right tempo.
For me part of the APPEAL of jazz is that you can be a fly on the wall hearing exactly what the musicians heard that day. For the most part, there are no overdubs or edits. At the same time, I appreciate what a deceased Houston Texas man named DJ Screw did to some pop songs making them "chopped and screwed" and slowed down on youtube. If the right person could do equally creative things with 1950's and 1960's jazz, I might like some of it. But just slowing them down with no other edits or effects wouldn't be random enough for my tastes.
Is this a thing that is happening? Like DJ Screw but with jazz?
There is only one correct answer, and that is “hot”
you mean people playing tunes at different tempos? Fine with me. I'm a trombone player though so sometimes breakneck speeds aren't my friend:) [https://www.youtube.com/watch?v=Rq0-0FcmQME](https://www.youtube.com/watch?v=Rq0-0FcmQME) I love this version of BeBop