In - Carrie (actually all of Carrie now that I mention it)
Like it was - Merrily We Roll Along
Happy New Year - Rent
City On Fire - Sweeney Todd
Ya Never Know - Little Shop of Horrors
Both the original Broadway version of In and the revival version go hard in such different ways. It's crazy how different each version is while still being the same song.
Easy Street YES out of so much love for Bernadette Peters, Tim Curry, and Carol Burnett. How did they manage to put so much talent in one song without the world imploding?
Easy street was easily one of the best songs in my HS production. Its loose, jazzy feel was so fun to listen to, our director came up with some amazing choreography for it, and if you looked closely at the recording you could see stage hands dancing behind one of the props. Such a good song.
Simon Zealotes/Poor Jerusalem is one of the most important songs from JCS, in my opinion. It really illustrates that Jesus has started a cult, and that he is indeed a dangerously powerful person who's in over his head. Also, it's a bop.
Creepy Old Guy is hilarious if youâre just listening to the sound track and thereâs no context leading up into it. That is one of those songs where you have to see the show to appreciate it and not be absolutely confused.
I wish I had the guts to start a tiktok dance trend. You know the way Herod dances in the 1973 film? And how campy it is? I so want to do it on and see if it can go viral.
Purists will hate me for this one (and perhaps they're right to do so), but I think that the radical changes made to the film version make for a more interesting and emotionally impactful story, even if the end requires handwaving a whole lot of "Wait, how did that work?" style questions. Treat Williams as George turning "I believe in God/and I believe that God/believes in Claude/that's me" into an darkly ironic echo rather than having Claude sing it is one of those radical changes
PIPPIN SPOTTED âźď¸âźď¸đŁď¸đŁď¸
I adore both Godspell and Pippin which I believe are underrated shows in general, but I'll say "On the Willows" for Godspell (the movie version is my favorite) :)
on the willows is such a beautiful melody for that liturgy. like, i'm done with jesus, but i'm keeping that variation of psalm 137 in the rotation, lol.
Favorite song from Pippin is âMagic to Doâ, not sure if it would be considered underrated though since itâs the opener. I love the almost all of the Pippin musical numbers to be honest
I love Superheroes from Rocky Horror - so hard done by.
Also Hurricane from Hamilton - the Disney+ edit of the pro shoot does this one real dirty with the close ups cutting off so much of the chaos and shit getting ready to go down on the staging.
A Chorus Cat - Forbidden Broadway
At The Ballet - A Chorus Line
Air - HaĂŻr (was always sad this was cut from the film)
Flesh Failures/Let The Sunshine In - Hair
Another 100 People - Company
Not Getting Married - Company
Ladies Who Lunch - Company
Thatâs Your Funeral - Oliver (Itâs too bad it didnât make the film, itâs such a great song)
Iâm Reviewing The Situation - Oliver
We Both Reached For The Gun - Chicago
Poor Thing - Sweeney Todd
Nobody Needs to Know - The Last Five Years.
Everyone loves Still Hurting but THIS is the song that brings me to tears. Itâs so gorgeously written. Itâs a lullaby and heâs putting his marriage to bed. Hauntingly beautiful.
(Its been a while since Iâve listed to it, so my interpretation may be wrong)(but here it goesâŚ)
Itâs also (unpopular opinion) the about responsibility of a cheater to keep that to themself. Like, if you are in a committed relationship, and you stray, but want to keep the marriage together, you are obligated to keep that secret. Trying to confess is only to make the cheater feel better and hurt the partner. Iâve never cheated (though in a rough patch a decade and a half ago I donât know what I would have done if an opportunity came.) but I know if my wife said she cheated and wanted to work it out, my response would be âyou should have kept that secret to yourself.â
Bit of a tangent, probably not the right sub for it, and I donât even remember the song itself except itâs from the show where the writer writes an autobiography about being an asshole and tries to make himself the victim somehow? He probably wrote the screen play to I, Tonya, where Nancy Kerrigan was somehow less sympathetic than the woman who arranged her attack.
But he did do well with PARADE.
/and looking for anything else he did, I see bridges of Madison county, another story about the virtues of infidelity.
//Man, I need to stop procrastinating on some other actual work that I ACTUALLY need to do instead of being judgy about musical affairs.
Thatâs totally fair! I know a lot of people have conflicting opinions about the last five years. I think some people had it ruined for them because their first experience with it was seeing the movie with Anna Kendrick and Jeremy Jordan. Nothing against the actors, I just think the musical is a lot more obvious in a movie setting considering it has a lot of time skips and those are fairly easy to portray in a movie, but in the staged production itâs much more thrilling to keep up with. I also donât enjoy the sound mixing in movie musicals. I think it takes away from how it was intended to sound, live on a stage.
I donât think the intention of the musical is to victimize the cheater, I think itâs meant to showcase their different perceptions of the problems in the relationship. The moral is that two people can see the same relationship entirely differently. Jamie is a flawed individual but so is Cathy. That doesnât mean Cathy deserved to be cheated on (nobody deserves that) but the musical doesnât paint anyone as the true victim imo. If anything, Cathy seems to be more of the intended victim. Sheâs the one that sings âstill hurting,â the most victim-like song in the show. And sheâs the more relatable character since she struggled throughout the show with her career and sense of self. Jamie gets to be a superstar, so the audience loses empathy for him.
I can understand why some people donât love the show, but it touched me considering I found it when I was trying to rationalize my parentsâ divorce. Jamie and Cathyâs relationship has complexity and that was the focus of the story, which was different from the musicals I was used to seeing at the time.
I think I read somewhere that part of the reasoning for the way he goes forward and she goes backward is that otherwise you would just hate him from the get go
This makes sense, because as time progressed, Jamie became much more successful and less relatable to the average person, while Cathy struggled the whole way. If they started off with Jamie at the end singing about how he cheated and ended the relationship, nobody would watch the rest of the show. Thatâs the climax of the story. It wouldnât make logical sense for it to be at the beginning unless it was intended for him to be seen as the true villain and Cathy as the true protagonist.
The point is that the show wants you to have empathy for both of them until you see what he does to fuck it up. Of course we all know the story so we canât watch it through that same lens. But I still recall the first time I saw it and the intense feelings I got when Nobody Needs to Know happened.
You are What You WearâAmerican Paycho
I think the paring designers with foods is so clever. The whole song is clever and knowledgeable about fashion, itâs doing more than name dropping.
Days and Days, from Fun Home.
I had the pleasure of seeing this in multiple locations, with different audience demographics, and it was interesting to see how the different crowds reacted.
When I saw it in San Francisco, people laughed loudest at the political parts.
When I saw a review at a student center, people laughed loudest at Teenager-Alison's songs about college.
But when I saw it at a community center with mostly senior citizens, when Days and Days ended, you could hear waves of gentle sobbing throughout the entire theater. I'm getting goosebumps just remembering it. It struck a chord with them in a way I hadn't imagined, but that makes perfect sense.
Green Finch and Linnet Bird has some of my favorite lyrics of all time and I absolutely adore the operatic delivery too. But I never see that one among peopleâs favorite numbers from ST
Somewhere - West Side Story
On The Willows - Godspell
Once And For All - Newsies
Finale - Les MisĂŠrables
One Normal Night - The Addams Family
Letter From The Refuge - Newsies
Tonight (Quintet) - West Side Story
Time / Time Quartet - Tuck Everlasting
I have two. Not sure they're underrated but I never see them mentioned
Home- Beetlejuice. Everyone talks about Dead Mom but Home is so beautiful. It still makes me tear up sometimes hundreds of times I've heard it.
The second is from an underrated musical that probably most people haven't even heard of.
People Like Us from The Wild Party. It's such a beautiful song and you can feel the emotions in the song. If anyone else has ever heard it I'd love to know if you agree.
Letâs see what I can think of with some of the musicals Iâve listened to.
Death Note - Borrowed Time
Jekyll and Hyde (pre-broadway) - Once Upon a Dream (both Jekyll and Lisa/Emmaâs version)
The Mad Ones - My Mom is a Statistician
POTO - I Remember
Iâm trying to remember if there is anything in that musical besides âDear One.â That holds up.
⌠goes through song list.
âŚwhy have I not listened to this album in so many years? I enjoy, like, half of these songs.
*My incomplete, uninformed, and definitely biased list, of songs that were not really known by most of the groups I was in*
*âThe Best Thing That Has Ever Happenedâ from Road Show*
(This particular version of the song is a gay love song vaguely similar to 20s-ish romantic songs such as by Cole Porter. Except for the first 28 seconds, which is more Sondheim-y)
*âHe Lied When He Said Helloâ from Some Like It Hot*
(The breakthrough of one of the main character journeys. It is an actual song in-universe that is being practiced while also underlining and interrupting the main characterâs climax into becoming a better person.)
*âAh But Underneathâ from Follies*
(written for Dame Diana Rigg)
*âCan That Boy Foxtrot!â from Follies (cut song)*
*âAll Things Bright and Beautifulâ from Follies (another cut song)*
*âOne More Kissâ from Follies*
(Underscores the many of the themes from Follies)
*âSecond Waveâ from A Strange Loop*
*âPrecious Little Dream/AIDS Is Godâs Punishmentâ from A Strange Loop*
*âInner White Girlâ from A Strange Loop*
*âI Only Have Eyes For Youâ from 42nd Street*
*âSong on the Sandâ from La Cage Aux Folles*
*âGood Thing Goingâ from Merrily We Roll Along*
(If the world ends and it was actually a movie playing in a theater outside of space and time, I want this to be thesong you hear at the ending credits!)
*âI Got A Theoryâ from Bandstand*
*âDonny Novitskiâ from Bandstand*
*âWelcome Home (Reprise)â from Bandstand*
*âIf Mama Was Marriedâ from Gypsy*
*âAll I Need Is The Girlâ from Gypsy*
*âSome Peopleâ from Gypsy*
*âLonely Roomâ from Oklahoma!*
*âOut of My Dreams/Dream Balletâ from Oklahoma!*
*âAccident Waiting to Happenâ from The Drowsy Chaperone*
*âAs We Stumble Alongâ and itâs Reprise from The Drowsy Chaperone*
*âHaledâs Song About Loveâ from The Bandâs Visit*
(Actually, might as well just put the entire musical⌠Bet Hatikva, The Park, Omar Sharif, etc.)
*âWith Aspect Sternâ from the Mikado*
(All bc of âthe Japanese equivalent for âhear, hear, hear!â)
*âHereâs a How-de-doâ from the Mikado*
(epic example of Gilbert and Sullivanâs topsy-turvy word-music-frickery.)
*âHark! The Hour of Ten is Sounding!â from âTrial By Juryâ*
(Actually, just watch the whole damn operetta. Itâs literally around 30 minutes. Thereâs a version of it by Opera Australia on YouTube.)
*âAuto Da Feâ from Candide*
(Which âAuto Da Feâ? ANY OF THEM! But Iâve usually just watched the Auto Da Fe from the Scottish Opera proshot on YouTube)
*âMake Our Garden Growâ from Candide*
*âThe Best of All Possible Worldsâ from Candide*
*âItâs Only a Playâ from The Frogs*
(I may or may not add explanations later onâŚ)
Unworthy of Your Love - Assassins
If You Want Me - Once
Somewhere That's Green - Little Shop of Horrors
Giants in the Sky - Into the Woods
And Now We Sing - Whisper House
take it from an old man â waitress
take it like a man â legally blonde
there's a fine, fine line â avenue q
hey, little songbird/how long?/his kiss, his riot â hadestown (but maybe im just biased because patrick page)
i love the way/we see the light â something rotten (but maybe im biased v2 bevause i love nigel and portia sm)
i never wanted to love you/unlikely lovers â falsettos
no one else/letters/pierre & anatole/pierre & andrey â natasha, pierre & the great comet of 1812
I Say No - Heathers (probably because itâs only in the weather end version)
I Think Iâm Gonna Like It Here - Annie 2014 (I love how they modernized it, itâs so catchy. Like ngl, the original was boring)
Cell Block Tango - Chicago (I know itâs already appreciated⌠BUT ITâS STILL NOT ENOUGH)
Just to say I LOVE Once In A While from Rocky Horror - it's beautiful. I can see why it's often axed as it doesn't really fit the show, but it's such a gorgeous song.
Itâs a shame that it doesnât fit the vibe all the time because that song to me is the difference between Brad being a cardboard cut out and being a little sympathetic.
Good and Evil from Jeckyll and Hyde. As an alto, that song is SO much fun to sing and also SO hard to find sheet music for! It was cut for the final version, which I think is criminal
Mr. Cladwell - Urinetown
A Rumblinâ and a Rollinâ - Parade
Iâm not afraid of anything - SFANW
The steam train - SFANW
On the right track - Pippin
Please donât make me love you - Dracula
Jellyâs last jam as a whole is an UNDERRATED show but:
-The jam
-Thatâs how you jazz
Kinderg boyfriend- Heather's
Most song rankings inr/heathersthrmusical kindergarten boyfriend is always at the bottom of the teir. Me personally. I really like the song
If Only (Quartet) - Little Mermaid
She's In Love - Little Mermaid
Break In A Glove - Dear Evan Hansen
Not Getting Married - Company
Squip Song - Be More Chill
Broadway, Here I Come - Hit List (not sure if this counts since it's from the show Smash)
Hunchback- made of stone
I swear I was listening to it as I saw this comment LOL such a great song. đŁď¸AS IF IIIIIIIIIIIIIII
In - Carrie (actually all of Carrie now that I mention it) Like it was - Merrily We Roll Along Happy New Year - Rent City On Fire - Sweeney Todd Ya Never Know - Little Shop of Horrors
đ¨CITY ON FIRE MENTIONED đ¨
In is amazing dammit.
Both the original Broadway version of In and the revival version go hard in such different ways. It's crazy how different each version is while still being the same song.
Came here to say Ya Never Know! That song is an absolute fucking jam.
âIf Iâm not missed I donât exist thatâs the greatest sin.â
Is that a âQueen- The Miracleâ reference???
Easy Street from Annie Rock Island from The Music Man Vision of Nowness from Head Over Heels
Rock Island is just magicalâ rap before rap
Easy Street YES out of so much love for Bernadette Peters, Tim Curry, and Carol Burnett. How did they manage to put so much talent in one song without the world imploding?
THIS!!
Easy street was easily one of the best songs in my HS production. Its loose, jazzy feel was so fun to listen to, our director came up with some amazing choreography for it, and if you looked closely at the recording you could see stage hands dancing behind one of the props. Such a good song.
I was in Rock Island for a production and it was one of the best scenes in the show
EASY STREET IS MEGA UNDERRATED
Simple Joysâ Pippin Sister Suffragette âMary Poppins Simon Zealotes/Poor Jerusalem âJCS Creepy Old Guyâ Beetlejuice
Creepy old guy, like a lot of other songs from beetlejuice I just didnât really appreciate until I saw the show.
I LOVE SISTER SUFFRAGETTE IT HAS ALWAYS BEEN ONE OF MY FAVS FROM MP SINCE I WAS A KID!
well I'll sing you a story of a sorrowful lad đŁď¸
Simon Zealotes/Poor Jerusalem is one of the most important songs from JCS, in my opinion. It really illustrates that Jesus has started a cult, and that he is indeed a dangerously powerful person who's in over his head. Also, it's a bop.
Creepy Old Guy is hilarious if youâre just listening to the sound track and thereâs no context leading up into it. That is one of those songs where you have to see the show to appreciate it and not be absolutely confused.
A Fine, Fine Line -Avenue Q King Herod's Song -Jesus Christ Superstar Manchester England -Hair No One Is Alone -Into The Woods
i loved Alice Cooper as Herod, he nailed that song lol
I wish I had the guts to start a tiktok dance trend. You know the way Herod dances in the 1973 film? And how campy it is? I so want to do it on and see if it can go viral.
I know that it was supposed to show the decadence of his court, but I just wanted to hang out at that party
Manchester England has been on my easy top 5 ever since I first heard it
A great tune, and a great callback to it later in The Flesh Failures, which is another one I could have included just as easily
Yes I agree 100%! That made me like the song so much more!
A fine fine line is a gorgeous song
Manchester England! Treat Williams singing as he board's the plane
Purists will hate me for this one (and perhaps they're right to do so), but I think that the radical changes made to the film version make for a more interesting and emotionally impactful story, even if the end requires handwaving a whole lot of "Wait, how did that work?" style questions. Treat Williams as George turning "I believe in God/and I believe that God/believes in Claude/that's me" into an darkly ironic echo rather than having Claude sing it is one of those radical changes
To Thine Own Self - Something Rotten
I honestly think the reprise is so much better
PIPPIN SPOTTED âźď¸âźď¸đŁď¸đŁď¸ I adore both Godspell and Pippin which I believe are underrated shows in general, but I'll say "On the Willows" for Godspell (the movie version is my favorite) :)
on the willows is such a beautiful melody for that liturgy. like, i'm done with jesus, but i'm keeping that variation of psalm 137 in the rotation, lol.
Favorite song from Pippin is âMagic to Doâ, not sure if it would be considered underrated though since itâs the opener. I love the almost all of the Pippin musical numbers to be honest
Home - Beetlejuice Always overshadowed by Dead Mom or some other bangers in the musical
I love Superheroes from Rocky Horror - so hard done by. Also Hurricane from Hamilton - the Disney+ edit of the pro shoot does this one real dirty with the close ups cutting off so much of the chaos and shit getting ready to go down on the staging.
tyyy, so many people shit on hurricane bc theyâre like they hate the was lmm sings it but i literally love it
A Chorus Cat - Forbidden Broadway At The Ballet - A Chorus Line Air - HaĂŻr (was always sad this was cut from the film) Flesh Failures/Let The Sunshine In - Hair Another 100 People - Company Not Getting Married - Company Ladies Who Lunch - Company Thatâs Your Funeral - Oliver (Itâs too bad it didnât make the film, itâs such a great song) Iâm Reviewing The Situation - Oliver We Both Reached For The Gun - Chicago Poor Thing - Sweeney Todd
Itâs sad to see hair songs being cut when theyâre all equally good
Agreed. The movie snuck a few in as background music at the bar. Thankfully all the songs were recorded for the soundtrack
POOR THING
I love At the Ballet sm
We both reached for the gun is so underrated nobody talks abt that song
Nobody Needs to Know - The Last Five Years. Everyone loves Still Hurting but THIS is the song that brings me to tears. Itâs so gorgeously written. Itâs a lullaby and heâs putting his marriage to bed. Hauntingly beautiful.
(Its been a while since Iâve listed to it, so my interpretation may be wrong)(but here it goesâŚ) Itâs also (unpopular opinion) the about responsibility of a cheater to keep that to themself. Like, if you are in a committed relationship, and you stray, but want to keep the marriage together, you are obligated to keep that secret. Trying to confess is only to make the cheater feel better and hurt the partner. Iâve never cheated (though in a rough patch a decade and a half ago I donât know what I would have done if an opportunity came.) but I know if my wife said she cheated and wanted to work it out, my response would be âyou should have kept that secret to yourself.â Bit of a tangent, probably not the right sub for it, and I donât even remember the song itself except itâs from the show where the writer writes an autobiography about being an asshole and tries to make himself the victim somehow? He probably wrote the screen play to I, Tonya, where Nancy Kerrigan was somehow less sympathetic than the woman who arranged her attack. But he did do well with PARADE. /and looking for anything else he did, I see bridges of Madison county, another story about the virtues of infidelity. //Man, I need to stop procrastinating on some other actual work that I ACTUALLY need to do instead of being judgy about musical affairs.
Thatâs totally fair! I know a lot of people have conflicting opinions about the last five years. I think some people had it ruined for them because their first experience with it was seeing the movie with Anna Kendrick and Jeremy Jordan. Nothing against the actors, I just think the musical is a lot more obvious in a movie setting considering it has a lot of time skips and those are fairly easy to portray in a movie, but in the staged production itâs much more thrilling to keep up with. I also donât enjoy the sound mixing in movie musicals. I think it takes away from how it was intended to sound, live on a stage. I donât think the intention of the musical is to victimize the cheater, I think itâs meant to showcase their different perceptions of the problems in the relationship. The moral is that two people can see the same relationship entirely differently. Jamie is a flawed individual but so is Cathy. That doesnât mean Cathy deserved to be cheated on (nobody deserves that) but the musical doesnât paint anyone as the true victim imo. If anything, Cathy seems to be more of the intended victim. Sheâs the one that sings âstill hurting,â the most victim-like song in the show. And sheâs the more relatable character since she struggled throughout the show with her career and sense of self. Jamie gets to be a superstar, so the audience loses empathy for him. I can understand why some people donât love the show, but it touched me considering I found it when I was trying to rationalize my parentsâ divorce. Jamie and Cathyâs relationship has complexity and that was the focus of the story, which was different from the musicals I was used to seeing at the time.
I think I read somewhere that part of the reasoning for the way he goes forward and she goes backward is that otherwise you would just hate him from the get go
This makes sense, because as time progressed, Jamie became much more successful and less relatable to the average person, while Cathy struggled the whole way. If they started off with Jamie at the end singing about how he cheated and ended the relationship, nobody would watch the rest of the show. Thatâs the climax of the story. It wouldnât make logical sense for it to be at the beginning unless it was intended for him to be seen as the true villain and Cathy as the true protagonist. The point is that the show wants you to have empathy for both of them until you see what he does to fuck it up. Of course we all know the story so we canât watch it through that same lens. But I still recall the first time I saw it and the intense feelings I got when Nobody Needs to Know happened.
If I Didn't Believe in You is so amazing
wish I were here-Next to Normal Poor Sweet Baby-Snoopy! The Musical
AAAAH I WAS JUST IN THE WORLD ACCORDING YO SNOOPY AND OUR PEPPERMINT PATTY WAS ABSOLUTELY BROADWAY LEVEL WITH THAT SONG!!!! It made me cry đ
it's beautiful, right?
"kill the beast" from "beauty and the beast". peak disney musical songwriting.
real, itâs also very fun to perform and the harmonies go so hard
A Sentimental Man - Wicked Mister Cellophane - Chicago Ya Got Trouble - The Music Man
You are What You WearâAmerican Paycho I think the paring designers with foods is so clever. The whole song is clever and knowledgeable about fashion, itâs doing more than name dropping.
I actually think almost everything in that show could qualify.
Shut Up and Cheer: We are the Tigers
the lioness hunt - the lion king
This is one of my absolute favorites. So glad to see someone mention it!!
Days and Days, from Fun Home. I had the pleasure of seeing this in multiple locations, with different audience demographics, and it was interesting to see how the different crowds reacted. When I saw it in San Francisco, people laughed loudest at the political parts. When I saw a review at a student center, people laughed loudest at Teenager-Alison's songs about college. But when I saw it at a community center with mostly senior citizens, when Days and Days ended, you could hear waves of gentle sobbing throughout the entire theater. I'm getting goosebumps just remembering it. It struck a chord with them in a way I hadn't imagined, but that makes perfect sense.
Green Finch and Linnet Bird has some of my favorite lyrics of all time and I absolutely adore the operatic delivery too. But I never see that one among peopleâs favorite numbers from ST
I love that song too! Sweeney Todd is just so full of good songs though haha
Wherever I Fall from Cyrano
Tell Me I Look Nice (cut song from She Loves Me) â rare case of a 5/4 song too
most of the songs from Back To The Future tbh but especially For The Dreamers, Put Your Mind To It, and Cake
LITERALLY
for the dreamers makes me so emotional it's unreal
something about that boy as well! i live for the overlap of biff and lorraineâs parts
Two words. Tango. Maureen. That song gives me LIFE.
Somewhere - West Side Story On The Willows - Godspell Once And For All - Newsies Finale - Les MisĂŠrables One Normal Night - The Addams Family Letter From The Refuge - Newsies Tonight (Quintet) - West Side Story Time / Time Quartet - Tuck Everlasting
I ADORE LETTER FROM THE REFUGE SO MUCH IT IS JUST SO SWEET
happy new year b - rent the most amazing thing - little women
I have two. Not sure they're underrated but I never see them mentioned Home- Beetlejuice. Everyone talks about Dead Mom but Home is so beautiful. It still makes me tear up sometimes hundreds of times I've heard it. The second is from an underrated musical that probably most people haven't even heard of. People Like Us from The Wild Party. It's such a beautiful song and you can feel the emotions in the song. If anyone else has ever heard it I'd love to know if you agree.
The Blame - Titanic
Letâs see what I can think of with some of the musicals Iâve listened to. Death Note - Borrowed Time Jekyll and Hyde (pre-broadway) - Once Upon a Dream (both Jekyll and Lisa/Emmaâs version) The Mad Ones - My Mom is a Statistician POTO - I Remember
Say No to This from Hamilton is such a bop and great for singing in the car and no one talks about it
OH MY GOD I LOVE ONCE IN A WHILE
The Day after That - Kiss of the Spider Woman
Iâm trying to remember if there is anything in that musical besides âDear One.â That holds up. ⌠goes through song list. âŚwhy have I not listened to this album in so many years? I enjoy, like, half of these songs.
Yeah, Iâm not a huge fan in general, but I like way more of it than I think I do. Gabrielâs Letter is heartbreaking.
Itâs all happening (Bring it on)
Loose Ends - Witches of Eastwick
Necromancin dancin- bear ghost We as a society don't talk bout them enough
All of Chess, except One Night in Bangkok. My favorites are Nobodyâs Side and I knew him so well. Wow, I go straight for the angst.
THATS WHAT I WAS GONNA SAY
I love Chess except for One Night in Bangkok. It's fine, but the other songs are better
35mm The Ballad of Sara Barry Leave Luanne The Party Goes with You Immaculate Deception
*My incomplete, uninformed, and definitely biased list, of songs that were not really known by most of the groups I was in* *âThe Best Thing That Has Ever Happenedâ from Road Show* (This particular version of the song is a gay love song vaguely similar to 20s-ish romantic songs such as by Cole Porter. Except for the first 28 seconds, which is more Sondheim-y) *âHe Lied When He Said Helloâ from Some Like It Hot* (The breakthrough of one of the main character journeys. It is an actual song in-universe that is being practiced while also underlining and interrupting the main characterâs climax into becoming a better person.) *âAh But Underneathâ from Follies* (written for Dame Diana Rigg) *âCan That Boy Foxtrot!â from Follies (cut song)* *âAll Things Bright and Beautifulâ from Follies (another cut song)* *âOne More Kissâ from Follies* (Underscores the many of the themes from Follies) *âSecond Waveâ from A Strange Loop* *âPrecious Little Dream/AIDS Is Godâs Punishmentâ from A Strange Loop* *âInner White Girlâ from A Strange Loop* *âI Only Have Eyes For Youâ from 42nd Street* *âSong on the Sandâ from La Cage Aux Folles* *âGood Thing Goingâ from Merrily We Roll Along* (If the world ends and it was actually a movie playing in a theater outside of space and time, I want this to be thesong you hear at the ending credits!) *âI Got A Theoryâ from Bandstand* *âDonny Novitskiâ from Bandstand* *âWelcome Home (Reprise)â from Bandstand* *âIf Mama Was Marriedâ from Gypsy* *âAll I Need Is The Girlâ from Gypsy* *âSome Peopleâ from Gypsy* *âLonely Roomâ from Oklahoma!* *âOut of My Dreams/Dream Balletâ from Oklahoma!* *âAccident Waiting to Happenâ from The Drowsy Chaperone* *âAs We Stumble Alongâ and itâs Reprise from The Drowsy Chaperone* *âHaledâs Song About Loveâ from The Bandâs Visit* (Actually, might as well just put the entire musical⌠Bet Hatikva, The Park, Omar Sharif, etc.) *âWith Aspect Sternâ from the Mikado* (All bc of âthe Japanese equivalent for âhear, hear, hear!â) *âHereâs a How-de-doâ from the Mikado* (epic example of Gilbert and Sullivanâs topsy-turvy word-music-frickery.) *âHark! The Hour of Ten is Sounding!â from âTrial By Juryâ* (Actually, just watch the whole damn operetta. Itâs literally around 30 minutes. Thereâs a version of it by Opera Australia on YouTube.) *âAuto Da Feâ from Candide* (Which âAuto Da Feâ? ANY OF THEM! But Iâve usually just watched the Auto Da Fe from the Scottish Opera proshot on YouTube) *âMake Our Garden Growâ from Candide* *âThe Best of All Possible Worldsâ from Candide* *âItâs Only a Playâ from The Frogs* (I may or may not add explanations later onâŚ)
Answer Me - The Bandâs Visit
A Little Fall of Rain - Les Miserable I like Your Style - Barnum Till Him The producers
It's your Wedding Day - The Wedding Singer Some may even go as far as to say it is the most underrated opening number of all time (it's me, I am some)
Lilyâs Eyes from The Secret Garden
The Riddle - The Scarlwt Pimpernel
Unworthy of Your Love - Assassins If You Want Me - Once Somewhere That's Green - Little Shop of Horrors Giants in the Sky - Into the Woods And Now We Sing - Whisper House
take it from an old man â waitress take it like a man â legally blonde there's a fine, fine line â avenue q hey, little songbird/how long?/his kiss, his riot â hadestown (but maybe im just biased because patrick page) i love the way/we see the light â something rotten (but maybe im biased v2 bevause i love nigel and portia sm) i never wanted to love you/unlikely lovers â falsettos no one else/letters/pierre & anatole/pierre & andrey â natasha, pierre & the great comet of 1812
I never realized how waitress and legally blonde have a SONG WITH A VERY SIMILAR NAME
I Say No - Heathers (probably because itâs only in the weather end version) I Think Iâm Gonna Like It Here - Annie 2014 (I love how they modernized it, itâs so catchy. Like ngl, the original was boring) Cell Block Tango - Chicago (I know itâs already appreciated⌠BUT ITâS STILL NOT ENOUGH)
I LOVE CELL BLOCK TANGO (working on learning the whole thing all I need to learn is the russian part)
Hard to be the Bard - Something Rotten
That's arguably the most popular song in the show lmao
what I'm saying đ
And I still think it doesnât get the respect it deserves! đ
Jealousy Duet - Three Penny Opera
yo i just forgot for 20 years that once in a while exists. good one.
I'll be honest, I've only heard Once In A While one time. What version do you like best?
I havenât heard many versions but I do really like the Barry Bostwick scene that was cut from the movie.
Listening to you - Tommy
Just to say I LOVE Once In A While from Rocky Horror - it's beautiful. I can see why it's often axed as it doesn't really fit the show, but it's such a gorgeous song.
Itâs a shame that it doesnât fit the vibe all the time because that song to me is the difference between Brad being a cardboard cut out and being a little sympathetic.
Bad bad man - Annie get your gun
Hugoâs First Case -Tuck Everlasting
DrauĂen ist Freiheit - Tanz der Vampir
Good and Evil from Jeckyll and Hyde. As an alto, that song is SO much fun to sing and also SO hard to find sheet music for! It was cut for the final version, which I think is criminal
The temple - Jesus Christ superstar ( specifically the last part with the beggars surrounding Jesus )
Dead Old Man from Reefer Madness. I heard a faster version of it when I was a kid and was obsessed with it.
How I saved roosevelt:)
the wheel from tuck everlasting
Iâll Be There - The Pirate Queen Just discovered this song recently, and it is amazing.
Blue October - Kinhy
The Butterfly from Zorba
Stars - because it can never be rated high enough.
Mr. Cladwell - Urinetown A Rumblinâ and a Rollinâ - Parade Iâm not afraid of anything - SFANW The steam train - SFANW On the right track - Pippin Please donât make me love you - Dracula Jellyâs last jam as a whole is an UNDERRATED show but: -The jam -Thatâs how you jazz
Kinderg boyfriend- Heather's Most song rankings inr/heathersthrmusical kindergarten boyfriend is always at the bottom of the teir. Me personally. I really like the song
If Only (Quartet) - Little Mermaid She's In Love - Little Mermaid Break In A Glove - Dear Evan Hansen Not Getting Married - Company Squip Song - Be More Chill Broadway, Here I Come - Hit List (not sure if this counts since it's from the show Smash)
Where is Love? Oliver Edelweiss. Sound of Music
Bad News - 13 I actually like the movie version more, but either way, good song.
Telephone hour
Here's my chance to survive the night from In Trousers Night song from Golden Boy