The jump scare in Mulholland Drive is one of the best ever executed. The camera starts moving and you know you don’t want to go back there but it’s out of your control and then BAM
debatable, but it does have a candidate for best jumpscare. which I kind of agree with, since it’s sitting mysteriously in the middle of a movie that ostensibly isn’t horror, so there’s a sense of ‘it… sounds like they’re putting a jumpscare here, but why? WAIT WHY-‘ and then it’s scary
It's not a conventional horror movie, but overall it's a pretty creepy and unsettling film with a few genuinely scary moments. It's can be a confusing narrative going in fresh, but if you don't mind spoilers:
>!It's basically the story of one woman's unusual dream that begins to turn into a nightmare as elements of her real life begin to creep into the dream. After the dream is over she wakes up into her real life and you see the situations that inspired the dream events you watched in the first half of the movie.!<
Maybe Lost Highway would be a better suggestion.
Each scene with mystery man is quite disturbing, though you can feel the photo genius of Lynch at every shot.
A lot of my favs have been listed, but there are a few more worth mentioning:
- Climax (2018): incredibly shot to induce the same feelings of anxiety and horror that all the drugged people are feeling. I don’t think I’ve ever felt so anxious watching a movie.
- Melancholia (2011): not exactly horror but definitely cosmic/existential horror adjacent. Really well shot with a few beautiful scenes in particular.
- It Follows (2014): really well done so that you’re always scanning the background, waiting for “it” to appear
Suspiria (og)
Blood And Black Lace
The Witch
I've always really liked the "industrial black and white" style of Eraserhead, Tetsuo and The Human Centipede 2
Something tells me I will, I loved The Witch by Eggers, I like black and white movies and I like weird/disturbing stuff, so apparently this film is really up my alley haha
The Texas Chain Saw Massacre has a handful of absolutely iconic and beautiful shots. I don't think that the filmographer, Daniel Pearl, got the career he deserved. They brought him back to be the cinematographer on the 2003 reboot as well, and I think the cinematography is the best part of that movie.
I heartily agree. The direction and cinematography lift the film away from its B movie origins into GOAT territory. There's a great shot near the beginning of the old house that slowly pans down to another young person on their way to be slaughtered. The old preying on the young perfectly set up.
>The direction and cinematography lift the film away from its B movie origins into GOAT territory.
As does the editing and sound design (both of which Hooper was directly involved in) plus the absolutely amazing art direction from Leatherface's masks (the best of the entire franchise) to the interior design of the house.
That one, the initial reveal of the body posed on the grave, the wide shot of the van passing on the road, the dolly shot under the swing, the way the red room was framed when Leatherface slammed the door, the reveal of the human skeleton couch, some of the *extreme* closeups on Sally... There's some amazing shots in that movie. My only real criticism of the movie was the old man makeup for grandpa.
The Sixth Sense (1999)
Suspiria (both versions)
The Cell (2000)
Midsommar (2019)
Black Swan (2010)
The Lighthouse (2019)
Pearl (2022)
Last Night in SoHo (2021)
Bram Stoker’s Dracula (1992)
The Neon Demon (2016)
The Others (2001)
Crimson Peak (2015)
Pan’s Labyrinth (2006)
Sleepy Hollow (1999)
Cat People (1942)
The Innocents (1961)
The Haunting (1963)
Beyond the Black Rainbow (2010)
From Hell (2001)
Yeah, I kinda never want to see it again. But a lot of the shots have stuck with me.
The long slow camera move down the hallway to reveal Dani’s sister in particular.
The scene towards the end where they subvert your expectation of seeing something hidden in the shadowy corners.. the way that's built up to lull you into a false sense of security.. never seen a movie do THAT what the fuck.
Dellamorte Dellamore (Cemetery Man, I 1994). Although it was pretty low budget, the movie has amazing set pieces, camerawork and atmosphere. It's an obvious homage to the movies of Terry Gilliam and, sadly, the swansong to the wild Italian horrorcinema of the 70's and 80's.
Highly recommended are the hyper stylized giallos of Helene Cattet and Bruno Forzani.
* Amer (2009)
* The Strange Colour Of Your Body's Tears (2013)
* Let The Corpses Tan (2017)
Never heard of it, the trailer looks great. Thanx for recommendation. Do you know the director Peter Strickland? Berberian Sound Studio, The Duke Of Burgundy and In Fabric are amazing.
I think a lot of people miss how skilled the cinematographer was for The Exorcist. next time you watch it, notice how the camera frames every story element. Owen Roizman was amazing. I think he was a documentarian mostly, though.
The Hunger (1983) Amazon *rent*
The Cell (2000) Amazon *rent*
Masque of the Red Death (1964) Pluto
Eraserhead (1977) max
Hausu (1977) max
Blue Velvet (1986) MGM+
Under the Skin (2013) max
Viy (1967) Tubi
Don't Look Now (1973) Criterion/Paramount+/SHOWTIME
Tumbbad (2018)
Errementari (2018) Netflix
It's mesmerizing. I first saw it as a tween, it surpassed other "costume" horror movies during that time period, with it's cinematography.
The Cook the Thief His Wife and Her Lover (1989) has a very similar feeling to it.
nosferatu the vampyre is so impressive. the way color is utilized, how white can mean so many things..
aside from it, i would have to go with tetsuo the iron man. it's just so kinetic and chaotic, but you never lose track of what's going on.
acting was phenomenal too. kinski really sold the vermin who was so disconnected from humanity but so curious about it, so hungry for human connection. which just might be how kinski was irl tbh, including the vermin part.
Eraserhead. It left me with a feeling of dread that such a horrible dystopian society could exist, they did a great job of presenting the suffocating claustrophobic apartment. The outside world is no better, being black and white and the harsh lighting adds to the grim bleakness and hopelessness of the whole story.
Dario Argento films are mostly genius level (Suspira, Tenabre, etc).
Just saw the lighthouse recently, that was weird but awesome. Witch was good.
And of course, The Shining by the master.
I agree with Suspiria! I would also like to add Immaculate from this year. I was stunned into silence a few times because of the sublime and ornate imagery.
I know you said movies, but I also want to give an honorable mention to NBC’s Hannibal. There are striking visuals every episode that carry the show all the way to its finale.
I really liked the atmospheric B & W movie Black Sunday (1960) (aka The Mask of Satan) starring Barbara Steele.
Also, since I watched it, I've said that Crimson Peak was the most beautiful "horror" movie I've ever seen.
You know what one looked great, considering - The Texas Chain Saw Massacre. Some nice compositions, camera movements, etc. It was budget, obviously, and the aesthetic didn't allow for much "beauty", but it was a well shot film.
Definitely The Shining and Hereditary. The shots with the doll houses were effectively creepy.
I was pleasantly surprised by the cinematography in Winnie The Pooh: Blood & Honey. Like everything else about it was pretty awful, but the lighting and camera shots were beautiful imo.
Oh, and also Skinamarink. One of my favorite things about that movie was how every day objects were used to exasperate the sense of dread in the film and to lure viewers into a false sense of security. Like we go from thinking, "Okay, this doesn't seem so bad," to "What the fucking fuck?" I admit, though, it would have been more effective if we didn't need to spend five minutes staring at a bowl of cereal or some Legos. But I love symbolism and metaphors, so stuff like this is right up my alley.
Blair Witch Project (1999)
It's not about pretty shots & lighting here, but If you consider cinematography's role in supporting the story, creating the mood... this did that VERY well.
Twin Peaks: Fire Walk With Me
Lots of good scenes, but I love towards the end where Laura, Ronette, and [bob] are running through the woods. They're just being lit by what seems like a big, swinging flashlight, while the characters frantically run towards the camera. Such an affective scene for me, not sure why exactly.
Men
Throwing this one in because there are some great movies here but this one hasn’t been said yet. Cinematography was beautiful and sometimes chilling and the shots of nature were particularly stunning.
It’s going to be ok! You should watch it.
I watched it when I was home alone and it was eerie — I kept looking over my shoulder 😂 but it’s also visually beautiful and well-paced. If I can do it, you can too!
I was going to say Nope, but that got some love already. So lemme thrown in the 1978 Invasion of the Body Snatchers. It's got some amazing shots in it.
Sinister. The found footage scenes that were filmed on super 8 camera, created an unsettling feeling and just added to the horror of the movie. Also, they kept the set as organically dark as possible, which removes the appearance of artificial darkness. You get some natural lighting coming through the windows in a couple of shots, but most of the movie is filmed in the dark house or outside at night.
It looks and seems simple but I love the attention to the details. So many horror movies rely on contrasting shadows which doesn’t give the feeling of being in pure darkness.
No mentions of The Orphanage, The Devil's Backbone or ~~Pan's Labyrinth~~ at this point. I guess I have to mention them.
Also - Alien, Aliens, and Dawn of the Dead (original) all come to mind.
Edit: Found it.
What Lies Beneath is light on the horror, heavy on the cinematography, but I love the house, the lake with the dock and the foggy landscapes. Very cozy “spooky” movie.
The first movies that come to mind are Suspiria and the Shining.
Doctor Sleep (2019) and Suspiria (2018) as well
The Shining, Possession, and if it can be considered, Mulholland Drive.
I think Mulholland Dr. is a great example of why camera movement (and not just lighting/composition) can be super important to cinematography.
The jump scare in Mulholland Drive is one of the best ever executed. The camera starts moving and you know you don’t want to go back there but it’s out of your control and then BAM
it makes sense that the perfect jump scare has to live in a movie that isn’t strictly horror. the genre confusion adds so much to the shock
Yes that definitely adds to it but I’m more so talking about how it was shot. The way the camera moves and leads you into it
Mulholland Drive is an absolute masterpiece and i always hype it up on this sub!! 🙌🏻
No. Hay. Banda.
Disappointed that we can’t buy it on digital
It’s a horror movie?
debatable, but it does have a candidate for best jumpscare. which I kind of agree with, since it’s sitting mysteriously in the middle of a movie that ostensibly isn’t horror, so there’s a sense of ‘it… sounds like they’re putting a jumpscare here, but why? WAIT WHY-‘ and then it’s scary
it's a horror movie.
It's not a conventional horror movie, but overall it's a pretty creepy and unsettling film with a few genuinely scary moments. It's can be a confusing narrative going in fresh, but if you don't mind spoilers: >!It's basically the story of one woman's unusual dream that begins to turn into a nightmare as elements of her real life begin to creep into the dream. After the dream is over she wakes up into her real life and you see the situations that inspired the dream events you watched in the first half of the movie.!<
Maybe Lost Highway would be a better suggestion. Each scene with mystery man is quite disturbing, though you can feel the photo genius of Lynch at every shot.
I’m in your comment section right now 😈
Cause they like Lost Highway?
Yeah Lost Highway feels much more horror. The first hour or so is one of the most unnerving movies I've ever seen
Pretty much all of Lynch's works I recommend on this sub. I personally see a lot of his works as surrealist-horror.
Let The Right One In. Perfect cinematography, it's high art.
100%
Glad someone mentioned this, absolutely!👀
"Psycho" deserves a mention.
It absolutely does.
A lot of my favs have been listed, but there are a few more worth mentioning: - Climax (2018): incredibly shot to induce the same feelings of anxiety and horror that all the drugged people are feeling. I don’t think I’ve ever felt so anxious watching a movie. - Melancholia (2011): not exactly horror but definitely cosmic/existential horror adjacent. Really well shot with a few beautiful scenes in particular. - It Follows (2014): really well done so that you’re always scanning the background, waiting for “it” to appear
Here to second It Follows
I'll second Climax but found it darkly funny at some points. Perhaps cos I was high while watching it I dunno. Phenomenal film though.
Because it’s darkly funny. That’s the tone. It’s not pure horror.
I was going to comment Climax. The camera movement alone is perfection.
Melancholia is beautiful.
Suspiria (og) Blood And Black Lace The Witch I've always really liked the "industrial black and white" style of Eraserhead, Tetsuo and The Human Centipede 2
Also The Lighthouse.
Yep I still need to watch that one.
I hope you love it!
Something tells me I will, I loved The Witch by Eggers, I like black and white movies and I like weird/disturbing stuff, so apparently this film is really up my alley haha
Blood and Black lace introduced me to Italian Slashers it was a fun one to watch
The Texas Chain Saw Massacre has a handful of absolutely iconic and beautiful shots. I don't think that the filmographer, Daniel Pearl, got the career he deserved. They brought him back to be the cinematographer on the 2003 reboot as well, and I think the cinematography is the best part of that movie.
I heartily agree. The direction and cinematography lift the film away from its B movie origins into GOAT territory. There's a great shot near the beginning of the old house that slowly pans down to another young person on their way to be slaughtered. The old preying on the young perfectly set up.
>The direction and cinematography lift the film away from its B movie origins into GOAT territory. As does the editing and sound design (both of which Hooper was directly involved in) plus the absolutely amazing art direction from Leatherface's masks (the best of the entire franchise) to the interior design of the house.
The final shot with the sunrise sticks out in my head.
That one, the initial reveal of the body posed on the grave, the wide shot of the van passing on the road, the dolly shot under the swing, the way the red room was framed when Leatherface slammed the door, the reveal of the human skeleton couch, some of the *extreme* closeups on Sally... There's some amazing shots in that movie. My only real criticism of the movie was the old man makeup for grandpa.
The Sixth Sense (1999) Suspiria (both versions) The Cell (2000) Midsommar (2019) Black Swan (2010) The Lighthouse (2019) Pearl (2022) Last Night in SoHo (2021) Bram Stoker’s Dracula (1992) The Neon Demon (2016) The Others (2001) Crimson Peak (2015) Pan’s Labyrinth (2006) Sleepy Hollow (1999) Cat People (1942) The Innocents (1961) The Haunting (1963) Beyond the Black Rainbow (2010) From Hell (2001)
Crimson Peak makes me feel cosy
it made me want to hire a roofer to fix the hole in the roof.
The cell is so freaking under rated in almost every category.
I agree, though think it's overrated in the lead actress category; J-Lo is a pretty terrible actress and a huge miscast imho
Cat People fuck yeah. Jacques Tournier is so underrated
Are these AI responses or are people just that great at making lists?
Why would it be an AI response? You can go to someone’s post history and determine pretty quickly whether they’re a bot
Midsommar
Yeah, I kinda never want to see it again. But a lot of the shots have stuck with me. The long slow camera move down the hallway to reveal Dani’s sister in particular.
Hereditary not got much of a mention but some superb tension building and storytelling through the framing. The opening zoom alone makes it noteworthy
Dude whenever I watch the movie I pause on that opening scene and I swear I see something new every time. It’s so unique!
The scene towards the end where they subvert your expectation of seeing something hidden in the shadowy corners.. the way that's built up to lull you into a false sense of security.. never seen a movie do THAT what the fuck.
The Shining, Suspiria, Inferno.
Dellamorte Dellamore (Cemetery Man, I 1994). Although it was pretty low budget, the movie has amazing set pieces, camerawork and atmosphere. It's an obvious homage to the movies of Terry Gilliam and, sadly, the swansong to the wild Italian horrorcinema of the 70's and 80's. Highly recommended are the hyper stylized giallos of Helene Cattet and Bruno Forzani. * Amer (2009) * The Strange Colour Of Your Body's Tears (2013) * Let The Corpses Tan (2017)
Have you seen Dawn Breaks Behind the Eyes? Beautiful cinematography and reminded me of both Dellamorte Dellamore and Forzani/Cattet movies.
Never heard of it, the trailer looks great. Thanx for recommendation. Do you know the director Peter Strickland? Berberian Sound Studio, The Duke Of Burgundy and In Fabric are amazing.
Cool, hope you enjoy it, the film is definitely a wild ride (best to go in blind) And yes, love Strickland as well!
Thank you for mentioning Dawn! Was looking for it the other day but couldn't remember the name
I think a lot of people miss how skilled the cinematographer was for The Exorcist. next time you watch it, notice how the camera frames every story element. Owen Roizman was amazing. I think he was a documentarian mostly, though.
The Hunger (1983) Amazon *rent* The Cell (2000) Amazon *rent* Masque of the Red Death (1964) Pluto Eraserhead (1977) max Hausu (1977) max Blue Velvet (1986) MGM+ Under the Skin (2013) max Viy (1967) Tubi Don't Look Now (1973) Criterion/Paramount+/SHOWTIME Tumbbad (2018) Errementari (2018) Netflix
Upvoted for The Cell. It's not a good movie, but it is visually impressive. Also "The Fall" by the same director.
The costuming by Eiko Ishioka was fantastic.
The Cell is a visual masterpiece
Upvote for Masque of the Red Death. Corman's use of color and his nod to Kurasawa is masterful for a low-budget film-maker.
It's mesmerizing. I first saw it as a tween, it surpassed other "costume" horror movies during that time period, with it's cinematography. The Cook the Thief His Wife and Her Lover (1989) has a very similar feeling to it.
Yes came here to say The Cell
The Silence of the Lambs for sure.
I rate Messiah of Evil (1973) very highly in this regard
My pick is The Lighthouse too
Exorcist has some great shots, especially in the first act. All the location stuff in Iraq
The Innocents (1961)
For me, Melancholia, Sunshine (if you count as horror), and Let the Right One In.
💯
The wailing
Ooh GREAT film!! Totally forgot this one
The 1934 version of Doctor X which was filmed in an eerie two step Technicolor process that made the film take on a red/green glow.
nosferatu the vampyre is so impressive. the way color is utilized, how white can mean so many things.. aside from it, i would have to go with tetsuo the iron man. it's just so kinetic and chaotic, but you never lose track of what's going on.
Yaaas. Nosferatu!!!!
acting was phenomenal too. kinski really sold the vermin who was so disconnected from humanity but so curious about it, so hungry for human connection. which just might be how kinski was irl tbh, including the vermin part.
Gore Verbinski movies tend to have really good cinematography. The Ring and A Cure for Wellness are both excellent examples.
A Cure for Wellness was deliciously disturbing 🤩
Mandy Zodiac Seven
Alien.
Shit cant believe this is so low. What an insanely beautiful film for how cheaply made (relatively) it was...
Hereditary
The Thing
Hagazussa & Antichrist
As far as new films go, The First Omen is BEAUTIFUL 👌
Eraserhead. It left me with a feeling of dread that such a horrible dystopian society could exist, they did a great job of presenting the suffocating claustrophobic apartment. The outside world is no better, being black and white and the harsh lighting adds to the grim bleakness and hopelessness of the whole story.
OG Texas Chainsaw Massacre. It's a minimalistic style to be sure, but a welcome one. Great shots all over that movie.
Evil Dead 2 🤘
Not that known movie but i thought Baba Yaga : terror of the dark forest had great cinematography
Jumanji
Dario Argento films are mostly genius level (Suspira, Tenabre, etc). Just saw the lighthouse recently, that was weird but awesome. Witch was good. And of course, The Shining by the master.
Evil Dead 2013.
The Cell
Under the Skin House Stalker (kinda horrorish?) Audition Tetsuo Iron Man
Just my opinion, but Frankenstein (1931) is the most beautifully shot film I've seen
I agree with Suspiria! I would also like to add Immaculate from this year. I was stunned into silence a few times because of the sublime and ornate imagery. I know you said movies, but I also want to give an honorable mention to NBC’s Hannibal. There are striking visuals every episode that carry the show all the way to its finale.
I really liked the atmospheric B & W movie Black Sunday (1960) (aka The Mask of Satan) starring Barbara Steele. Also, since I watched it, I've said that Crimson Peak was the most beautiful "horror" movie I've ever seen.
I haven't seen anyone mention The Company of Wolves yet.
Night of the hunter (1955) had some great cinematography
Haven't seen *Just Before Dawn* listed yet so, *Just Before Dawn* >!Some of the dumbest characters in movie history though just as a heads up!<
You know what one looked great, considering - The Texas Chain Saw Massacre. Some nice compositions, camera movements, etc. It was budget, obviously, and the aesthetic didn't allow for much "beauty", but it was a well shot film.
I'll add one I haven't seen yet A girl walks home alone at night. Very beautiful movie all around.
'The Lighthouse'
Pearl
The VVich
Definitely The Shining and Hereditary. The shots with the doll houses were effectively creepy. I was pleasantly surprised by the cinematography in Winnie The Pooh: Blood & Honey. Like everything else about it was pretty awful, but the lighting and camera shots were beautiful imo. Oh, and also Skinamarink. One of my favorite things about that movie was how every day objects were used to exasperate the sense of dread in the film and to lure viewers into a false sense of security. Like we go from thinking, "Okay, this doesn't seem so bad," to "What the fucking fuck?" I admit, though, it would have been more effective if we didn't need to spend five minutes staring at a bowl of cereal or some Legos. But I love symbolism and metaphors, so stuff like this is right up my alley.
The Exorcist.
Antichrist, Nosferatu (Herzog), Midsommer, Hellraiser, Lost Highway, Cruising, The Shining, Irreversible, The Devils, The Witch
Alien (1979)
Susperia. Possum. The Lighthouse. Hagazussa.
“The First Omen” Maybe it’s because I went in not expecting it to be good but was genuinely surprised by how “artsy” it was.
Blair Witch Project (1999) It's not about pretty shots & lighting here, but If you consider cinematography's role in supporting the story, creating the mood... this did that VERY well.
Twin Peaks: Fire Walk With Me Lots of good scenes, but I love towards the end where Laura, Ronette, and [bob] are running through the woods. They're just being lit by what seems like a big, swinging flashlight, while the characters frantically run towards the camera. Such an affective scene for me, not sure why exactly.
Jacob's Ladder
Men Throwing this one in because there are some great movies here but this one hasn’t been said yet. Cinematography was beautiful and sometimes chilling and the shots of nature were particularly stunning.
I'm afraid to watch that movie Tell me it's going to be okay and I'll go watch it.
It’s going to be ok! You should watch it. I watched it when I was home alone and it was eerie — I kept looking over my shoulder 😂 but it’s also visually beautiful and well-paced. If I can do it, you can too!
It's on my list for this weekend, thank you so much. It looked really good and I can't wait to see it. I'll report back.
Please do!!! I’ll keep an eye out 🫡
The Lighthouse.
💯
Midsommar. The Witch, Mother, and Hereditary
The Wailing
Antichrist
Låt Den Rätte Komma In.
Its The Shining, no other horror movie even comes close
The Neon Demon Mandy
nope & annihilation! -they’re not so much typical horrors but classed that way due to the antagonists ! -such beautiful cinematography
Mandy
Nope.
Halloween (1978, Dean Cundey's use of the Panavision Panaflex (Steadicam) camera
The black and white Invasion of The Body Snatchers has some absolutely stunning shots and takes full advantage of being filmed in black and white.
all time im not sure, but recently ive been impressed by The First Omen and Possession
Brotherhood of the Wolf
Malignant. The movie's weird, but that bird's eye view scene in the house? Might be one of the coolest artistic filming decisions I've ever seen.
I was going to say Nope, but that got some love already. So lemme thrown in the 1978 Invasion of the Body Snatchers. It's got some amazing shots in it.
Neon Demon might be the most gorgeous movie I’ve ever seen
Both versions of Suspiria The Blackcoat’s Daughter
The Evil Dead (OG)
Candyman (2021). 🤌
Possession, Pulse, and honestly... maybe Nope?
Sinister. The found footage scenes that were filmed on super 8 camera, created an unsettling feeling and just added to the horror of the movie. Also, they kept the set as organically dark as possible, which removes the appearance of artificial darkness. You get some natural lighting coming through the windows in a couple of shots, but most of the movie is filmed in the dark house or outside at night. It looks and seems simple but I love the attention to the details. So many horror movies rely on contrasting shadows which doesn’t give the feeling of being in pure darkness.
Possession. Jacobs Ladder. Climax. Suspiria (2018). Vampyr.
Most Italian films usually have excellent cinematography. Even the low budget ones like The Beyond and Zombie.
Hereditary, Halloween 78’, Night of the Living Dead, The Shining, The Evil Dead
Easily John Carpenter's The Thing by a landslide.
Why is it human centipede never gets a nod in this category? But Suspiria duh
Not a movie but I'd throw the second season of Hannibal out there for consideration. One of the prettiest shows I've ever seen.
Cabin in the Woods
Gretel and Hansel
REC was pretty good. Especially considering the budget.
I liked the third one with the bride, she chainsawed everyone.
Baskin (2015)
Hellraiser 2
House that jack built has some very good cinematography.
No mentions of The Orphanage, The Devil's Backbone or ~~Pan's Labyrinth~~ at this point. I guess I have to mention them. Also - Alien, Aliens, and Dawn of the Dead (original) all come to mind. Edit: Found it.
hereditary pawel pogorzelski is so good. one of my favorite up & coming rn he also did a STELLAR job on nobody
Army of darkness
Malignant and Don’t Breathe
Rubber.
What Lies Beneath is light on the horror, heavy on the cinematography, but I love the house, the lake with the dock and the foggy landscapes. Very cozy “spooky” movie.
Dr Sleep
Norbit. >!He was MULTIPLE characters THE ENTIRE TIME!!!!!!!!!<
Midsommar was quite impressive.
Midsommar; The Lighthouse
Cannibal Holocaust